- O rubor sanguinis
Hildegard von Bingen (1098-1179)
- Magnus Liber Organi
Leoninus (Leonin) (1135-c.1201)
- Palastinalied
Walther von der Vogelweide (c.1170-1230)
- Sederunt principes
Perotinus Magister (Perotin) (c.1155-c.1205)
- Gram piant’ agli ochi
Francesco Landini (1325-1397)
- Au tem pascor
Jehans Erars (c.1200-c.1259)
- Trotto
Anon., Italian, late 13th c.
- La Septime Estampie Real
Anon., French, 13th c.
- La Rotta
Anon, Italian, 14th c.
- Ma fin est mon commencement
Guillaume de Machaut (c.1300-1377)
- Ha! Fortune-Que es promesses-Et non es que adjuvet
Machaut
- Je Suis Aussi
Machaut
- Lamentio Sacrae Matris Ecclesiae Constantinopolitanae
Guillaume Dufay (c.1400-1474)
- Rose, Liz, Printemps
Machaut
- Bache bene venie (from Carmina Burana Manuscript)
Anon., 13th c.
- Fanfare: Vive le Roy
Josquin des Pres (c.1440-1521
- Sanctus
Roi Henri (King Henry IV)
- Amours Cent Mille (Ballade, 13th c.
Johanot de L’Escurel
- Is Milde Lomb
Anon. 13th c., English
- Ja nuns hons pris
Richard I, the Lionhearted (1157-1199)
- O Rosa Bella
John Dunstable (c.1390-1453)
- If Love Now Reigned
Henry VIII (1491-1547)
- Byrd one brere (Bird in the Briar)
Anon., 13th c., English
- Estampie (Robertsbridge Codex, 1350)
Anon., 14th c., English
- A la guerra
Anon., 16th c. Spanish
- A virgen que de deus madre (Cantiga 322)
Alfonso X “el Sabio” (1221-1284)
- Polorum regina (Llibre Vermell de Monteserrat)
Anon., 14th c. Spain
- Santa Maria Amar (Cantiga 7)
Alfonso X
- Ave Maria
Francisco Guerrero (1528-1599)
- Corten espadas afiladas (Cancionero de Medinaceli)
Anon., 16 c.
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